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- #Lightroom plugin for autopano giga software
- #Lightroom plugin for autopano giga professional
- #Lightroom plugin for autopano giga free
Primarily used to group and manage photos I currently have on my system, some basic photo editing and cropping, and to hand photos off to the various pieces of software, or plugins below.
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The workflow runs top of the table to bottom of the table. Lightroom I tend to use an older version (LR6), Kolor Autopano Giga no longer exists, but the rest are still available as at the time of writing this post. It should be noted that I don't always use all of these in any given photo but as a general rule they all feature in my overall workflow. The various programs I use are listed in the table below, in addition to a description of what I use them for, and their purpose. If I capture a panorama, this varies between a HDR panorama (usually three exposures per image) or just a general single exposure. I capture images as you would expect, either a single shot (or occasionally a HDR bracket) or a panorama consisting of multiple shots with some overlap (typically 20 – 30%). More often than not I use a tripod (either the Manfrotto 190Go or the Platypod Max) and sometimes I will use something like the Arsenal AI (a smart camera assistant). Whilst hardware is not fully covered, I shoot with a Nikon D610 DSLR and most commonly use my Tamron 15-30mm f/2.8 len or the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR lens.
#Lightroom plugin for autopano giga software
Whilst the tools and software that I use varies depending on the needs of the environment and photos, I wanted to do a brief post which outlines how I go about capturing some of these images and the specific tools that I use. The natural environment is fairly self-explanatory however, for those who are not aware the built environment typically refers to things that have been built, most commonly buildings but in this context I mean cityscapes and those sort of things. No concerns about software sluggishness here.įrom the newly stitched panorama we can move on to make some edits – and this is where we see many of the interesting features of Autopano Giga 4.I love landscape photography, and love capturing images and panoramas of the natural and built environments.
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It took the software around one minute to detect and create a stitched panorama from this group, ready for editing. Our largest panorama group contained 72 images, which is a lot of data. Neturalhazer deals with inevitable haze in the atmosphere that reduces the contrast in detail further away from the camera. There are further Adobe Photoshop and Lightroom Plugins available too.Īlso, the group settings for Detection, Optimization, Panorama and Render can be adjusted, though the auto settings seem fine as they are.
#Lightroom plugin for autopano giga free
There are three free plugins available: Neutralhazer®, external stack processing and lens correction. The whole image folder can be analysed, and each panoramic image sequence is automatically placed into a new Group.Īt this stage a plugin can be applied. With the panorama sequences captured, it's time to import the images.
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#Lightroom plugin for autopano giga professional
You may need to shoot more images in these sequences.Īll this said, Autopano Giga 4 can work wonders with poorly captured image sequences. Whether pictures are taken handheld with a smartphone or compact camera or even using a professional DSLR mounted to a panoramic head, Autopano Giga 4 can handle the image sequence. Using a telephoto focal length can reduce lens distortions and helps to bring objects closer, though it will, of course, reduce the amount of the scene contained in the picture. Autopano Giga 4 can handle a lot of images in one panorama, so there's no need for caution – just take your time and shoot methodically in order to avoid extra post processing work.įor use with Autopano Giga 4, we have made linear panoramas (horizontal shifts only) and multi-angle panoramas (with several images in a vertical movement, in addition to the horizontal shift). Ensure a good overlap of up to 20-30% from one image to the next.